Content & Entertainment
Music Streaming · Original Content · Jan 2019 — May 2020

Deezer
Brasil.

Head of Content & Artist Marketing at the second-largest Deezer market in the world. The brief was simple — and ambitious. Stop being a platform. Start being a content producer. The proof we got it right: a Cannes Lions Bronze, won with a song that contained no sound.

Original Content Artist Marketing Cannes Lions Bronze
São Paulo · Brazil ↓ Scroll
— Section 01 · Headline numbers
25M+
Original plays across the catalog.
Deezer Brasil · 2019—2020
#2
Deezer market globally — behind only France.
Deezer · 2019
Lion
Cannes Lions Bronze 2021 — "Use of audio platforms".
Cannes Lions · 2021
7
Professionals on the local content team.
Deezer Brasil · 2019
4
Deezer Sessions artists released in 17 months.
Deezer Brasil · 2019—2020
60s
Of silence that won an international award.
"Silêncio" · Emicida · 2019
Section 02 — The Strategic Bet · 2019

Not a platform.
A content
producer.

When I joined Deezer Brazil in January 2019, the company was operating in one of the most competitive music streaming markets in the world — competing against Spotify, Apple Music, and YouTube Music for listeners' attention and subscription fees. Deezer's advantage wasn't its technology or its catalogue. It was a willingness to think like a content producer.

Brazil was Deezer's second-largest market in the world, trailing only France — the company's home country. That strategic weight gave us real latitude to invest in original content that the platform could own, not just distribute. My role was to build and lead that operation: editorial programming, artist partnerships, non-music channels, and the content strategy that would differentiate Deezer in a market where the product was increasingly commoditised.

"Music streaming is going through a moment of building awareness — and the most proprietary way to generate relevance is to function more like a content producer than a simple media platform."
Bruno Vieira · Deezer Brasil Director · Propmark · Oct 2019
Pillar 01 — What I built

Content Area — building what the platform could become.

Original Content · Music channels · Non-music · Partnerships

The Content area encompassed everything Deezer produced or commissioned that went beyond its core catalogue offering. This meant original content programs (Deezer Sessions), special projects (Silêncio/Emicida), local music channel curation, and an expanding portfolio of non-music channels — podcasts and live radio — that positioned Deezer as a full audio destination rather than a music-only service.

The editorial logic was to identify what I called "local heroes" — artists who carried genuine cultural weight in Brazil — and build 360° strategies around them on the platform: exclusive content, dedicated curation, artist marketing campaigns, and media partnerships that extended the Deezer Sessions format into national broadcast reach.

  • 01Development of Originals content programs and special projects
  • 02Management of local music and non-music channels
  • 03Portfolio definition and negotiation of content partnerships for non-music channels — podcasts, live radio
  • 04Content partnerships with media groups, labels, artist managers, journalists, blogs, venues, festivals
  • 05Local content strategy to differentiate Deezer's offer — identifying local heroes and implementing 360° strategies
Pillar 02 — The interface

Artist Marketing — the interface between platform and industry.

Labels · Distributors · Artists · Releases · Campaigns

The Artist Marketing pillar was the operational bridge between Deezer and the Brazilian music industry — labels, independent distributors, managers, and artists themselves. This required both commercial credibility (the ability to have a serious conversation about releases and marketing investment) and creative vision (what a Deezer-specific campaign could do that a generic DSP placement couldn't).

In a market where Spotify held first-mover advantage and deep label relationships, Deezer's differentiation in artist marketing was its willingness to co-create rather than just distribute. The Raça Negra campaign with CP+B — a 60-second TV spot, a pocket show, and a full multimedia rollout — was possible because we offered something beyond playlist placement.

  • 01Engaging with label reps, distributors, and artists to plan releases and marketing campaigns
  • 02Promoting Deezer to industry stakeholders — emphasising features, reach, and co-creation potential
  • 03Identifying local media partners to boost artist marketing campaigns
  • 04Ensuring local activities aligned with global strategy, adapted for Brazilian nuances
  • 05Tracking, analysing, optimising ongoing campaigns; reporting outcomes to HQ
  • 06Monitoring music trends on Deezer; sharing local performance insights with the global team
Pillar 03 — Translation work

Paris HQ Interface — making Brazil legible to a French company.

Local ↔ Global · Content KPIs · Strategic alignment

Deezer is a French company. Its headquarters, its founding culture, and its primary reference points are French. Managing content for the second-largest global market — while reporting to a headquarters 9,000 km away with a different music culture, different market dynamics, and different editorial references — required a specific kind of translation work that goes beyond language.

My role as primary interface between the Brazilian content team and Deezer HQ meant: translating local market intelligence into input that global teams could act on; aligning local content strategy with global objectives without losing the specificity that made it work in Brazil; and advocating for the investment levels that the market's strategic importance warranted. Brazil was #2 globally. That had to mean something in resource allocation.

  • 01Overseeing management of content KPIs — aligned with Deezer's global objectives and performance standards
  • 02Leading and coordinating the local content team of 7 professionals
  • 03Primary interface between local team and Deezer headquarters — communication, collaboration, strategy integration
  • 04Advocating for local investment based on Brazil's strategic market position
  • 05Sharing local music industry insights and performance data with global content teams
Emicida · "Silêncio" · AmarELO Bronze — Media / Audio
The Proof of Concept · Cannes 2021

A song
of silence.
A Bronze Lion.

In October 2019, Emicida was about to release AmarELO — one of the most ambitious and culturally significant Brazilian albums in years. He brought the concept to Deezer: an album that wasn't just music, but a social experiment about love, connection, and listening. The question was what a streaming platform could do to match that ambition.

The answer was "Silêncio" — a track that was literally silent. A 60-second opening piece, available exclusively on Deezer, that prepared listeners for the emotional weight of what was about to arrive. Co-created by Emicida, Deezer, AKQA, and producer Saigon, the campaign aired in the commercial break of Jornal Nacional — Brazil's most-watched news programme — and then on Fantástico the following Sunday.

In 2021, the campaign won the Bronze Lion at Cannes Lions in the category "Media — use of audio platforms." A streaming platform had co-created with an artist to win an advertising award by using its own platform as the medium. That is exactly what "functioning more like a content producer than a simple media platform" means in practice.

B
Bronze Lion · Cannes Lions 2021
Media — Use of audio platforms
Emicida "Silêncio" · AmarELO · Deezer Brasil
— The Film · 60 seconds of silence Jornal Nacional · 2019
— The Concept
"When we are face to face with something grand, there is so much to say that the only way to respond is with the contemplation of silence."
Emicida · AmarELO · 2019
Partners
Emicida · LAB Fantasma · Deezer · AKQA · Saigon · Sony Music Brasil
Format
Exclusive track on Deezer + film aired on Jornal Nacional (Globo) + Fantástico
The Track
60 seconds of silence — containing sounds from the centre of the Earth captured at the Sonic Pavilion, Inhotim (MG)
AmarELO
Grammy Latino 2020 · Multishow Award · Album of the Year · BET Awards nomination · Best International Artist
AKQA
The same agency behind "Bluesman" (Baco Exu do Blues), which won the Grand Prix at Cannes 2019
Reach
Jornal Nacional — Brazil's highest-rated programme on free-to-air TV
01
What makes this case unique
A streaming platform won an advertising award using the platform itself as the creative medium. Not as a medium — as a co-creator.
02
The strategy
Emicida brought the AmarELO concept to Deezer. The platform answered with an original format — an exclusive opening track that only made sense in a streaming context.
03
The turn
Distributing AmarELO would have been easy — any DSP could do it. Co-creating "Silêncio" with Emicida and taking it to Jornal Nacional was a statement that Deezer was more than a music shelf.
04
The legacy
This vision — platform as producer, not just distributor — was the philosophy Gabriel carried next to Amazon Music Brazil, where he scaled it to 40M+ plays and #2 global in First Streams.
— The Philosophy

The platform as producer. Not as shelf.

The difference between a shelf and a producer isn't technological — it's editorial. A shelf holds what the market produces. A producer has a point of view about what should exist. My job at Deezer was to build that point of view for the Brazilian market, and then turn it into real content that artists and listeners could find and feel.

Deezer Sessions was the operational format of that philosophy: original recordings, high-end production, artists curated for cultural relevance rather than streaming metrics alone, with extensions into advertising campaigns, paid media, and free-to-air TV presence whenever the strategy warranted it. Raça Negra on TV Globo (The Voice). Emicida on Jornal Nacional. Aline Barros crossing the line between gospel and secular.

Local heroes — the curatorial logic.
The "local heroes" strategy wasn't about picking the most popular artists. It was about identifying artists with genuine cultural weight — figures that represented something beyond their streams — and building content around them that the platform owned. Raça Negra has decades of emotional connection with Brazil. Emicida is the most important rapper of his generation. Aline Barros reaches a third of Brazil's evangelical population.
Non-music channels as differentiation.
In 2019–2020, the battle for streaming listeners was still fundamentally about music catalogue. The bet on developing podcasts (Cid Moreira, Rádio Eldorado) and live radio as proprietary channels was a bet on a transformation the pandemic accelerated dramatically. Cid Moreira's podcast during the 2020 lockdown was a cultural moment Deezer could call its own.
— The Context

Deezer's second-largest market in the world. And why that mattered.

Deezer is a French company. Its domestic market, its culture, and its reference points are French. But in volume and strategy, Brazil was the company's second-largest global market — a position that gave the local team both responsibility and influence in shaping how the platform should operate outside Europe.

Managing content for that market while reporting to an HQ 9,000 km away required a specific kind of translation: getting Brazilian market intelligence — its artists, its formats, its consumption dynamics, its musical diversity — to the Paris HQ in a form that was legible and actionable. And making sure global priorities translated into local strategies that actually worked in Brazil.

The 7-person team I led was responsible for the full content spectrum: Originals, music editorials, non-music channels, partnerships with media outlets, labels, managers, and festivals. In 17 months, the most visible result was the Cannes Lions Bronze. The most lasting result was the philosophy — and philosophy is invisible (invisible systems for visible moments).

#2
Deezer market — behind only France
2013
Deezer arrived in Brazil — 6 years earlier
CP+B
Agency — 1st Raça Negra campaign
AKQA
Agency — Silêncio · Cannes Lions
Section 05 — Deezer Sessions

Original content covering Brazil's musical diversity — from pagode to gospel, from pop to reggae.

4 artists · 17 months
Deezer Sessions cover — Raça Negra · Luiz Carlos with gold chain on orange background
01 / 04
Pagode · 2019
Raça Negra

The group that defined 1990s Brazil re-recorded classics and created previously unreleased music in an exclusive performance in Rio de Janeiro. The CP+B campaign — "Deezer prescribes Raça Negra to cure heartbreak" — cast Luiz Carlos as a doctor specialising in broken hearts. TV, digital media, offline, social. Pocket show in São Paulo.

CP+B's first campaign for Deezer. Deezer's 2nd campaign since launching in Brazil in 2013.
Deezer Sessions cover — Aline Barros · acoustic gospel EP
02 / 04
Gospel · Jan 2020
Aline Barros

A moving EP with 4 previously unreleased versions of songs originally recorded by her father — acoustic versions that crossed the line between gospel and secular. Aline Barros had 2.2M followers on Deezer — a number comparable to the biggest sertanejo artists. A pioneer in carrying Christian music beyond the evangelical audience.

The first Brazilian gospel artist to reach that scale on an international DSP.
Deezer Sessions cover — IZA · voice and guitar EP recorded during lockdown
03 / 04
Pop / R&B · May 2020
IZA

EP with previously unreleased voice-and-guitar versions of her career hits, plus a cover of "What's My Name" (Rihanna and Drake). Dona de Mim, Pesadão, Ginga, Brisa. Released in May 2020 — during lockdown — as exclusive content for global streaming.

One of the biggest names in Brazilian pop at the peak of her career.
Deezer Sessions cover — Natiruts · Brazilian reggae duo
04 / 04
Reggae · Aug 2019
Natiruts

One of Brazil's biggest reggae bands — with decades of history and an emotional bond with its audience — in a Deezer Sessions that documented the sound of an entire generation of Brazilian reggae listeners.

Editorial presence covering every major genre of Brazilian popular music.
Section 06 — Non-Music Channels

Live audio and podcasts — building Deezer as an audio destination, not just music.

2019—2020
— A Brazilian First · 2019

The first DSP to stream live music
in Brazil.

An exclusive Deezer programme launched in 2019: real-time audio streaming of shows and music festivals — something no global DSP had ever done in the Brazilian market.

The bet wasn't on catalogue or recommendation. It was on presence — being the platform you turn to when the moment is happening, not after.

Baco Exu do Blues live broadcast poster — purple graphic with LIVE badge, 23/02 - 1h, Canal Rap da Deezer
★ Programme launch
23 Feb 2019 · São Paulo

Baco Exu do Blues — live show.

Broadcast live from São Paulo — exclusive on Deezer

Brazil's first ever live audio stream of a music show on a global DSP. Baco Exu do Blues — the same artist whose "Bluesman" had just won AKQA the Grand Prix at Cannes 2019 — performed live in São Paulo in the early hours of a Saturday morning, with the audio broadcast in real time exclusively on Deezer. Proof that a streaming platform could function as a live broadcaster, not just a catalogue.

— Then the programme expanded · 5 more broadcasts in 2019
Criolo live broadcast poster — purple graphic with Criolo ao vivo no Espaço das Américas, Deezer logo
2019 · Rap

Criolo — live show.

Espaço das Américas · São Paulo

The most important rapper of his generation joined the programme — taking the live-audio bet from proof of concept into a curated artist lineup with real cultural weight.

Canaltech · announcement
Ribeirão Rodeo Music live broadcast cover — teal background with ornate RRM wood-frame artwork, hand holding guitar neck, LIVE badge, Deezer logo
Apr 2019 · Sertanejo

Ribeirão Rodeo Music.

Ribeirão Preto, SP · festival

First time a sertanejo festival was streamed live on a global DSP in Brazil — extending the programme from urban single shows into the heart of Brazilian rodeo culture.

Viola Show · festival broadcast
Nave Festival poster — yellow background with bold pink NAVE wordmark
May 2019 · Pop · Festival

Nave Festival — Anavitória, Jão & Rubel.

First festival broadcast · Deezer exclusive

"A new opportunity for the recording industry," said Bruno Vieira, Director of Deezer Brasil, on the streaming's first music-festival broadcast.

PopLine · Bruno Vieira interview
Queremos! Festival live broadcast cover — yellow background with pink animal heads (jaguar, giraffe, zebra), bold QUEREMOS! Festival typography, LIVE badge, Deezer Originals logo
15 Jun 2019 · Multi-genre

Queremos! Festival.

Marina da Glória · Rio de Janeiro

Heineken-presented festival with 12 acts on 2 stages — Deezer as Player Oficial, streaming Criolo, Baco Exu do Blues, Duda Beat & Jade Baraldo live to fans across Brazil.

PopLine · Deezer broadcast lineup
Skuta Festival logo — green background with stylised ear-shaped S forming the word Skuta and italic Festival
2019 · Sertanejo · Festival

Skuta Festival.

Sertanejo super-festival · live broadcast

Live audio of Henrique & Juliano, Maiara & Maraisa, Wesley Safadão and the biggest names of mainstream sertanejo — extending the programme into the genre with the largest streaming audience in Brazil.

Planeta Country · announcement
— Podcasts

Original audio shows. From morning company in lockdown to editorial deep-dives.

Bom Dia, Cid Moreira podcast cover — portrait of Cid Moreira on blue background with bold typography
Podcast · 2020 Lockdown
Bom Dia, Cid.
Cid Moreira · Deezer Brasil

A morning podcast launched during the COVID-19 lockdown with Cid Moreira — the most recognisable voice in Brazilian TV journalism, former Jornal Nacional anchor for decades. Reflections, advice, and playlists for pandemic times. A cultural moment Deezer could call its own: the voice of Brazil's news, now exclusively in audio, in the morning of an unprecedented crisis.

Essenciais podcast cover — yellow paper with the word Essenciais in black serif, Deezer Originals badge
Podcast · Editorial partnership
Essenciais.
Rádio Eldorado (Estadão) · Deezer Brasil

An editorial partnership with Rádio Eldorado — one of Brazil's most respected cultural broadcasters, part of the Estadão group, with decades of tradition in journalism and music criticism. Essenciais was the content format born from that partnership: each episode a deep dive into a foundational Brazilian artist's career, with editorial depth that positioned Deezer as the reference platform for listeners who take audio seriously. The show reached a second season and featured names like Milton Nascimento, who chose Essenciais to tell his own musical history.

Céu da Semana com Titi Vidal podcast cover — celestial purple and blue night sky with star constellations
Podcast · Original · Astrology
Céu da Semana.
Titi Vidal · Deezer Brasil

A weekly astrology podcast hosted by Titi Vidal — one of Brazil's most followed astrologers — turning the weekly sky reading into a recurring listening ritual. A bet on a content format the platform owned, in a vertical (astrology) with mass cultural relevance in Brazil and almost no editorial presence on competing DSPs at the time.

Section 07 — Artist Marketing Campaigns

Co-creating with artists — campaigns the platform owns, not just runs.

2019—2020
Campaign · Romance & pagode
Raça Negra × Deezer — cure your heartbreak.
CP+B · 2019 · TV, digital, OOH, pocket show

CP+B's first ever campaign for Deezer — and the platform's second ever in Brazil since launching in 2013. Luiz Carlos cast as a doctor specialising in broken hearts: "Deezer prescribes Raça Negra to cure heartbreak." A full 360° rollout — TV spot, digital, OOH, social — built around the Deezer Sessions exclusive recording with the group that defined 1990s Brazil.

Agency
CP+B (first Deezer campaign)
Concept
"Deezer prescribes Raça Negra to cure heartbreak"
Format
TV spot + digital + OOH + pocket show (SP)
Broadcast
The Voice (Globo) airtime
Plano Deezer Family promotional image — a stack of six smiling family members of different generations on pink background, 3 MESES GRÁTIS badge, Deezer logo
Campaign · Reissue & nostalgia
Fat Family × Deezer — "Jeito Sexy."
Fat Family · Deezer Brasil · 2020

A campaign with the group Fat Family — one of the most iconic names in Brazilian funk and pagode of the 1990s and 2000s. The bet on nostalgia as an emotional trigger ran further than the single: a Plano Família activation with 3 free months, OOH at cinemas and digital boosts, and an unreleased track ("Vibe Fat") dropped exclusively on Deezer. Artists the Brazilian audience grew up with, re-introduced in an exclusive context that justified the platform as the right place for the reunion.

Era
1990s–2000s funk & pagode revival
Activation
Plano Família · 3 free months
Format
OOH (cinema) + digital boost + exclusive single
Exclusive
"Vibe Fat" — unreleased track on Deezer
Section 08

Deezer Hotel Sessions — turning a hospitality suite into a cross-territory recording studio.

10 artists · 5 territories · Feb 2020
— The bet

A suite for industry relationships
turned into a content production set.

Traditionally, the Deezer hospitality suite at the Latin Grammy was used for artist relationships, label partners and music-industry meetings — closed-door networking, no public output. I spotted the opportunity to take advantage of the artist presence and generate exclusive content for our Latin American users.

I led the project that brought together 10 Latin artists from Brazil, Argentina, Colombia, Peru and Puerto Rico for an intimate, stripped-down recording session inside the suite during the Latin Grammy week. Released as Deezer Hotel Sessions in February 2020 — a project + playlist that turned the suite from a back-of-house networking room into the platform's own production set.

"En vivo desde un cuarto de hotel · ao vivo, de um quarto de hotel · live from a hotel room."
— Deezer Hotel Sessions · positioning line
— The 10 artists

From 5 territories, in one suite, in one week.

Album covers · Deezer Originals
Deezer Hotel Sessions playlist cover
— The full playlist · 35 minutes · 10 tracks Listen to the full Deezer Hotel Sessions on Deezer
Open playlist
Section 09 — Deezer Next

Investing early — in voices the market hadn't bet on yet.

2019 — 2020

Deezer Next was the global artist-development programme.

Each class introduced a curated group of emerging Brazilian artists — picked across genres before the mainstream caught on. Sertanejo, gospel, rap, reggae. The bet wasn't on already-proven streams; it was on the next chapter.

Each selected artist received 12 months of dedicated support from Deezer — profile development, curated playlists and creative marketing campaigns, plus special content like live EPs, interviews, fan-event promotion, and amplification across social channels.

From 2019 onwards I led the recording of the Deezer Next Live Sessions at Deezer's São Paulo studios — 4-track exclusive recordings that gave each artist a flagship asset on the platform from day one. Beyond the marketing push, the Sessions were the artist's first permanent piece of content on Deezer — a calling card that lived in the catalogue alongside their releases.

The programme's track record is well documented: Brazilian artist Cynthia Luz, who joined in January, saw a 650% growth in streams on the platform after entering the cohort.

5 Live Sessions — each a 4-track flagship for the artist on Deezer.

2018 — 2019 · sertanejo · gospel · reggae
Section 10 — Editorial & Programming

A local calendar, human curators, and channels built for a continental territory.

2019 — 2020

Localization over algorithm — building editorial calendars that knew what Brazil was listening to, and why.

The editorial bet was simple — and stubborn. Algorithms recommend; calendars tell a story. Brazil isn't one market: it's a continental territory with regional flavours, genres that exist nowhere else (sertanejo, forró, gospel-pop, axé, brega), and a cultural year shaped by dates a global recommender doesn't know — São João, Festas Juninas, Carnaval, the summer holiday season, regional patron-saint festivities.

I led the editorial strategy alongside a team of human curators at Deezer Brasil — not an algorithm. Each editor owned a vertical (sertanejo, MPB, gospel, rap, electronic, pop, regional) and was responsible for the playlists, the channels, the artist relationships, and the calendar moments specific to their territory of taste.

The result was a programming logic built for maximum coverage — every genre, every region, every cultural date — and a calendar that could react fast when something culturally urgent happened. Sometimes industry-first fast.

"Temos uma estratégia bem local que é um caminho oposto dos demais streamings."
— Juliana Gueli · Marketing Director · Meio & Mensagem · Jul 2019
Vida em Casa channel — four playlist covers in a 2×2 grid: home office, malhando em casa, festa das crianças, calmaria

Vida em Casa — the first DSP channel built for the pandemic.

When COVID hit Brazil in March 2020, Deezer was the first global DSP to react in the market with a dedicated channel for at-home life. Vida em Casa wasn't a playlist nor a thematic strip — it was a full editorial channel, built in days, programmed for the new reality of an entire country suddenly locked indoors.

Inside it: workout playlists co-curated with Alok, Claudia Leitte, Lexa, Dennis DJ and Projota. Multi-artist collab playlists with Sorriso Maroto, Naiara Azevedo, Kekel and KVSH. "Geração Isolamento" — a curated meditation on love and loneliness in quarantine. Workshow Live Festival as an editorial highlight. And Deezer was also the first DSP in Brazil to publish behavioural consumption data for the isolation period — turning the channel into a research signal as much as a service.

— Two more firsts When the calendar produced opportunities the rest of the industry hadn't moved on yet.

The local calendar — channels built for Brazilian cultural moments.

4 calendar channels · 2020
Forró pé de serra channel cover — black-and-white portrait of a forró sanfoneiro with characteristic embroidered hat, yellow strip at top
June · Forró · São João
São João — festa junina em casa.
Mastruz com Leite, Elba Ramalho and a roster of forró classics curated for at-home Festas Juninas. São João playlists grew 200% on the platform between 2020 and 2022 — evidence the channel kept performing well after launch.
Verão por Anitta channel cover — Anitta in a wide-brimmed hat against a pink sunset gradient
December · Verão · Summer
Verão — the soundtrack of the holiday season.
A dedicated summer channel where Anitta, Luísa Sonza, Pabllo Vittar and a roster of Brazilian pop artists curated their own perfect playlists for the country's defining cultural ritual: 60 days of beach, holidays, and outdoor music.
Dia da Mulher por Luísa Sonza channel cover — Luísa Sonza in profile against a purple background
March · Mulher · IWD
Dia Internacional da Mulher — the feminist hits Brazil was listening to.
An International Women's Day editorial built around the most-listened-to feminist anthems globally — surfacing how Brazilian audiences were engaging with the conversation, in their own playlists. Curated by Luísa Sonza.
Orgulho por Aretuza Lovi channel cover — drag artist Aretuza Lovi in a pink sequined dress against a rainbow flag background
June · Pride · LGBTQ+
Orgulho LGBTQ — "toda forma de amor."
A dedicated Pride Month channel celebrating LGBTQ artists and the music that defined the community's cultural identity in Brazil. Curated by Aretuza Lovi. Editorial line: "consideramos justa toda forma de amor."
Vem pro Sertanejo channel cover — Marília Mendonça against an orange background
Year-round · Sertanejo
Vem pro Sertanejo — the always-on channel for Brazil's #1 genre.
The flagship year-round channel for sertanejo — the genre that dominates Brazilian streaming charts every single day. Programmed weekly by the curation team, featuring everyone from Marília Mendonça to the rising names of the next chapter.

A scalable growth ladder — turning playlists into a path artists could see and climb.

In early 2019 I led the rollout of a scalable curatorial structure for Deezer's playlists in Brazil — a transparent ladder where tracks could move from niche playlists into higher-visibility ones based on real performance. The bet was on transparency as relationship: labels and artists could see what would happen to a track if it earned the right signals, instead of guessing at editorial decisions.

"Uma faixa entra e pode percorrer uma escada dentro da plataforma. Dessa forma, é cada vez mais claro para as gravadoras e os artistas como eles podem performar e conduzir sua faixa dentro da Deezer."
— Gabriel Lupi · Head of Content & Artist Marketing · Meio & Mensagem · Sep 2019
— The Through-Line

Deezer was the laboratory.
Amazon Music was the scale.

When Amazon Music hired Gabriel in 2020, it wasn't hiring a generic content manager. It was hiring someone who had spent 17 months building, testing, and proving — with a Cannes Lions as evidence — that a streaming platform can function as a content producer.

The philosophy built at Deezer was the same argument Gabriel would use to create the Amazon Music Brazil Content area from scratch, with a BRL 12.4M budget and a team that took the platform to #2 globally in First Streams in 2022.

The differences were of scale, not essence. At Deezer, the model was proven. At Amazon, it was industrialised.

Deezer → Amazon · What carried over
Philosophy
Platform as content producer, not as catalogue shelf. The same argument, the same strategic bet.
Originals
Deezer Sessions → Amazon Music Originals. The format changed. The curatorial logic stayed: artists with real cultural weight, content the platform owns.
Editorial diversity
Gospel, pagode, rap, reggae at Deezer → Balada Sertaneja, Gospel Brasil, MPB, mini-docs at Amazon. Full-spectrum coverage of Brazilian music.
HQ interface
Paris → Seattle. The challenge of making Brazil legible to a global HQ remains the same. The experience translated directly.
Non-music
Podcasts and radio at Deezer → Live Streaming and beyond-music formats at Amazon. The bet on a complete audio destination, not just music.
Read the Amazon Music case
"
Sixty seconds of silence. A Bronze Lion. And the proof that a streaming platform can be more than a shelf.
Gabriel Lupi · Head of Content & Artist Marketing · Deezer Brasil · 2019—2020
◆ New · Free e-book Fans You Don't Know — fan data strategy for the music industry. Read the e-book